Here is a collection of Andreas Haglunds latest works, including both solo- and collective authorship. Wether in black boxes, nightclubs, white cubes or online spaces, Andreas uses the dance, choreography, text and performance as media for sensuous transmission of critical inquiry, utopic practice and personal testimony. Specifically Andreas’ pieces explores how somatic practices and critical ideas can be derived from, and inform, queer culture/experience and their relation to systems of power and discipline. At the moment they focus specifically on how queer aesthetic expressions can undo narrow conceptions of nature. Situated in human performing bodies, rather than the more-than-human, Andreas explores how ‘naturality’ can be understood and expanded as a performative capacity. Who has access to the natural? By which metric? How can dance complicate the relationship nature and the natural? How do ideas inhabit the body?